Adrian Smith. Graphic Designer / / Flickr / / Design work / /

gablesmcgee:

JUSTICE - WOMAN 

theimagerie:

Richard Misrach, “Swamp and Pipeline, Geismar, Louisiana” (negative 1998, print 2012) Inkjet print. High Museum of Art, Atlanta.

theimagerie:

Richard Misrach, Batture, North of Port Allen, Louisiana, 1998

thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...
thefilmstage:
““The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo”...

thefilmstage:

“The language of film is further and further away from the language of theater and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.” - Emmanuel “Chivo” Lubezki

We explore how the cinematography of Emmanuel Lubezki is shaping the landscape of modern film.

(via thefilmstage)

lifeaftersundown:

Leica M-Monochrom (Typ 246) ad by F / Nazca Saatchi & Saatchi 

(via camerafilia)

design-is-fine:
“Postcards from Expo 67 in Montreal, 1967. More to see here
”
design-is-fine:
“Postcards from Expo 67 in Montreal, 1967. More to see here
”
design-is-fine:
“Postcards from Expo 67 in Montreal, 1967. More to see here
”
design-is-fine:
“Postcards from Expo 67 in Montreal, 1967. More to see here
”
design-is-fine:
“Postcards from Expo 67 in Montreal, 1967. More to see here
”

design-is-fine:

Postcards from Expo 67 in Montreal, 1967. More to see here

(via design-is-fine)

symmetrysymptom:

Delta Sales Company by B.K. Wiese

(via duanedalton)

dose-of-design:

Logotype by Herb Lubalin

(via seconddesign)

antonwalker:

Waves of Love

(via visualgraphc)